BRYAN BELLER


Bryan Beller has maintained a multi-faceted career as a bassist, composer, solo artist and clinician for over 25 years, earning his reputation as a uniquely talented yet supremely tasteful team player for instrumentally-minded artists. In the power super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums) he’s a part of one of the hottest acts in rock/fusion today; their 2019 release You Know What…? debuted at #2 on the Billboard Jazz Chart. He’s been Joe Satriani’s touring bassist since 2013, and also tracked Satriani’s complete 2022 album The Elephants Of Mars. World touring with both Satriani and The Aristocrats continues presently. He was Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, and he also toured and recorded in the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse. He’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 20 years and 10 albums.

On his own, Beller’s solo album catalog includes 2003’s View, 2008’s Thanks In Advance, and 2011’s Wednesday Night Live, as well as an Alfred instructional DVD, all released to widespread acclaim. His 2019 solo release – the progressive concept double album Scenes From The Flood featuring Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, Gene Hoglan (Dethklok), Ray Hearne (Haken) and many more was hailed by multiple outlets as an instant classic: “A colossal artistic statement and a career triumph…one of the year’s most intriguing and staggering albums, it will for sure end in our 2019 best of lists.” (Scott Medina, Sonic Perspectives)

As a pure player, a composer, a masterclass clinician, a former Contributing Editor for Bass Player Magazine, and a former VP of SWR bass amps, Bryan Beller brings a holistic perspective to the world of bass, and music.

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LONGER BIO

Bryan Beller has maintained a frenetic, multi-faceted career as a bassist, composer, solo artist, writer and clinician for over twenty-five years.

Beller’s reputation as a uniquely talented yet supremely tasteful team player for adventurous instrumentally-minded artists is clearly evidenced in his work for some of the industry’s top names. He’s been Joe Satriani’s touring bassist since 2013, notching three world tours (including a G3 with John Petrucci and Phil Collen of Def Leppard), several cuts on Satch’s 2015 release Shockwave Supernova, and a feature appearance in Satriani’s tour documentary film Beyond The Supernova. More recently, Beller tracked the entire 2022 Satriani album The Elephants Of Mars. He’s also the bassist of the rock/fusion super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums), one of the hottest acts in the genre today. The Aristocrats released six critically acclaimed albums in five short years, with their sixth (2019’s You Know What…?) debuting at #2 on the Billboard Jazz Chart. Their four successful world tours even included joining Satriani and Steve Vai for a G3 run in Europe. This high profile work has landed Beller on the pages of numerous music magazines, including cover features in Bass Player and Bass Musician magazines. World touring with both Satriani and The Aristocrats continues presently.

As a solo artist, Beller’s most current release (2019) is the epic-scale modern progressive double concept album Scenes From The Flood. The massive 2CD/2LP work gathered an all-star cast of 26 musicians (including Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, Gene Hoglan (Dethklok), Ray Hearne (Haken), Joe Travers, Nili Brosh, Mike Dawes, Janet Feder, and many more) to explore themes of ambition and loss, intentionality and reality, hope and disillusionment. It uses every second of its 18-song, 88-minute running order to tell an emotionally consuming and unforgettable musical story. Scenes From The Flood was hailed by multiple outlets as an instant classic: “A colossal artistic statement and a career triumph…one of the year’s most intriguing and staggering albums, it will for sure end in our 2019 best of lists.” (Scott Medina, Sonic Perspectives)

Before then, Beller released his debut solo album View in late 2003 to widespread acclaim, earning the monthly feature in Bass Player Magazine (“…it’s a thrill to witness an artist like Beller find his voice with such a self-assured debut…”). His second album Thanks In Advance (2008) garnered even more critical praise (“…a bonafide entry for bass album of the year” – Chris Jisi, Bass Player Magazine). Beller’s first live album Wednesday Night Live – a raw, powerful, intimate document of his 2010 touring lineup playing the world-famous Baked Potato in Los Angeles – was released in 2011 on both CD and DVD. His first instructional DVD, Mastering Tone And Versatility, was released by Alfred Publishing in early 2012, and he’s a featured artist on the instructional website Jamplay.com.

Beller’s additional sideman gig experience includes being Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, a tour-de-force document of the six-piece Vai live band Beller anchored on bass in 2007. Beller also appears on several Steve Vai albums, notably Inviolate (2022), Real Illusions: Reflections (2005) and The Ultra-Zone (1999). He’s also toured with the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse; Beller’s tracked on the last two Dethklok releases (Dethalbum III; The Doomstar Requiem) and has joined the band for three nationwide tours to date, alongside metal monsters Mastodon and Machine Head, among others. And he’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 17 years and 10 albums.

Beller’s 16-year span as a freelance writer includes cover stories on bass luminaries such as Justin Chancellor (Tool), Christian McBride, Alex Webster (Cannibal Corpse) and Chris Wolstenholme (Muse), as well as a landmark cover feature on the state of heavy metal bass involving ten different interviews. In 2010, Beller interviewed former Governor of Arkansas and 2008 Republican Presidential candidate (and part-time bassist) Mike Huckabee for Bass Player Magazine. He’s also interviewed a veritable who’s who of the modern bass world: Jonas Hellborg, Victor Wooten, John Patitucci, Lee Sklar, Neil Stubenhaus, Jay DeMarcus (Rascal Flatts), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Bill Laswell, Jimmy Haslip, Stefan Lessard (Dave Matthews Band), Matt Garrison, Adam Nitti, Oteil Burbridge, Dave LaRue, Miroslav Vitous, Billy Sheehan, Emmy-award winning television scorer W.G. “Snuffy” Walden (The West Wing), and myriad others.

Beller’s earliest days on bass were as a Westfield, New Jersey pre-teen on upright in the school orchestra. It was short-lived, as he switched to electric at 13 to better play Rush, Led Zeppelin, Pink Floyd and Metallica tunes. Concurrently, a couple of years of classical piano lessons morphed into his own self-taught ear training regimen, as he learned to play those same classic rock and metal songs on the piano completely by ear. Once he landed at Berklee College Of Music, Beller focused solely on bass, and eventually joined a blues-rock band called 100 Proof, which played originals mixed with blues and Allman Brothers covers in Boston’s dirtiest bars. Beller’s rootsy, earthy, groove-oriented approach (as opposed to some of the more shred-oriented players of the time) had found a welcome home – and the original lineup of the band went on to do interesting things: One (Dylan Altman) wrote a #1 hit song for Tim McGraw; another (Jon Skibic) served as the touring guitarist for The Eels and the Gigolo Aunts; and the other (Ben Sesar) ended up as Brad Paisley’s touring drummer for ten years and counting.

But it was when Beller met drummer (and Frank Zappa fanatic) Joe Travers at Berklee that his career first ventured onto its current path. Joe knew Mike Keneally, who was in Dweezil and Ahmet Zappa’s band Z. Eventually Joe moved to Los Angeles, joined that band, and got Beller an audition in 1993, which Beller won, thereby entering the world of Zappa-influenced and independently-minded musicians he still calls fellow travelers to this day.

As a pure player, a composer, a masterclass clinician (sponsored by Mike Lull Custom Basses, Gallien-Krueger Amplification and D’Addario Strings), a former Contributing Editor for Bass Player Magazine, and a former Vice-President of SWR Sound Corporation, Beller brings a holistic perspective to the world of bass, and music.

5 hours ago

Bryan Beller
VAI'S GUITAR ENCYCLOPEDIA, IN PICTURES: My dear friend and longtime collaborator Michael Mesker (Art Director for "Scenes From The Flood" and *many* Aristocrats albums) has outdone himself here with an intensely detailed and completely beautiful book/encyclopedia of Steve Vai's guitars, called "Wire And Wood". All the details are below. Absolutely worth checking out! ... See MoreSee Less
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1 day ago

Bryan Beller
THE SPIRIT OF RUSANDA: If you saw The Aristocrats on tour this summer, you heard me talk about Rusanda Panfili’s beautiful guest appearance on our new album. Well, here she is, in her own heartfelt words. Rusanda and Guthrie are on tour with Hans Zimmer in the USA right now. Don’t miss it!Rusanda Panfili OfficialGuthrie Govan (Official)Hans Zimmer Live ... See MoreSee Less
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3 days ago

Bryan Beller
21-YEAR KENEALLY/BELLER TIME CAPSULE: It’s Bandcamp Friday, and not just any Bandcamp Friday. My dear friend Mike Keneally has just today released “Freaks In A Mellow Mood” (LINK IN COMMENTS), a compilation of acoustic duo performances that Mike and I performed in November 2003 as part of our series of clinics for Taylor Guitars. I just listened to the whole album and, having not heard any of this stuff for 20 years, I’m just swooning over all of the little things we did together to make Mike’s ultra-esoteric compositions work in the duo format. This was just after Mike’s acoustic album “Wooden Smoke” was released, and the rock band catalog releases preceding that were 2000’s “Dancing” and 1997’s “Sluggo!”, on top of the early classics “hat” and “Boil That Dust Speck”. But all sorts of weird little gems are on this thing - “Aye Aye Monster” from Keneally’s project The Mistakes (with Henry Kaiser, Andy West and Prairie Prince); “Love Theme From Vulture Fun”, a bizarre bit of fun that previously only appeared on the **VHS** “Soap Scum Remover”; “Bober” and “Physics” from the as-yet-unreleased 2004 album “DOG”; a Beatles cover of “And Your Bird Can Sing” and more. It also stands out as a singular moment in the already-amazing but apparently ever-increasing chemistry between Keneally and myself. The existing song arrangements themselves were already dense by nature, and required some serious boiling-down to work in the duo format. Hearing what we were able to do with them - in many cases rework, enhance, and even re-invent - fills my heart with joy. And somehow he got me to sing high harmony background vocals, actually in tune! Miracles never cease. 😉Late 2003 was a weird and difficult time for me, and not just because I had a misguided hairstyle. I had just released my first solo album “View” literally two weeks before this particular Taylor Guitars clinic tour happened. But all while I was finishing that, the bass amp company I worked for, SWR, was sold to Fender, and I was right in the middle of managing the merger and acquisition and integration for both companies. I wasn’t playing that much, and when I was it felt rushed and squeezed into a very intense work schedule. The financial security was nice but there was a slow boil going on inside me that eventually exploded two years later when I quit Fender and started over as a freelance musician. But from 2002-2005, these moments of musical joy were not nearly as frequent in my life as they are now. I owe Mike Keneally a debt of gratitude for many things, but specifically in this case for keeping the flame of my musical spirit alive during an uncertain time for my own artistry as a musician. Also, let’s say a requiem for the Taylor AB-4 Acoustic/Electric Bass that I used for all of these performances. It was one of the 6 fallen soldiers that never came home late in 2016, victims of the whole Bonnie & Clyde theft episode. I’m pretty sure this will be the last release upon which that instrument appears, so it’s a fitting sendoff. Hopefully it will come home someday. Anyway, go buy this album! ... See MoreSee Less
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5 days ago

Bryan Beller
WELL AND TRULY DUCKED: Thank you Los Angeles for a great closing show, and thank you North America for an incredible run of shows on the DUCK tour. We saw so many friends we’ve known for a while, and a ton of new folks as well. Touring is still the single best way for us to get out and spread the “Aristocratic Gospel”, as it were. And as proud as we our of our new anatine-themed album, we know that the living breathing heart of this band is the three of us playing live, onstage, where anything can happen in front of a live audience crazy enough to come out and witness the spectacle of the whole thing for themselves. That’s you, and we can’t do it without you. Thanks so much to our lean and mean management team, our North American booking agency, our incredibly hard working crew…and once again, to YOU, the fans who have stuck with us all these years, as well as the new ones we just met, who supported us so generously on this tour. Thank you again and again. Stay tuned for announcement about the next legs of the DUCK tour - coming soon!Cheers to all,The Aristocrats ... See MoreSee Less
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7 days ago

Bryan Beller
Home.(tour wrap up coming soon) ... See MoreSee Less
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