VIEW (2003)

 


Long known as a uniquely talented yet tasteful hired gun bassist for the more adventurous rock guitarists of recent times (Mike Keneally, Steve Vai, Dweezil Zappa, Wayne Kramer), Bryan Beller ventures out on his own with his debut solo album, View

Those familiar with his main body of work – nine years, five albums and countless tours with former Frank Zappa guitarist Mike Keneally – are well aware of his ability to navigate the complex, sometimes impossibly dense forms and styles present in Keneally’s work…all with the polish, simplicity and accessibility one might expect from a pop bassline. Both a repeat feature subject and three-year columnist for Bass Player Magazine, Beller has long drawn the attention of music fans with a discriminating taste for high-caliber playing. 

But far from aspiring to bass heroism, Beller instead builds a carefully crafted emotional tapestry of interweaving themes and styles – a true album in the old-fashioned sense. Drawing on influences as disparate as John Scofield and Rage Against The Machine, Michael Landau and Pink Floyd, Nine Inch Nails and his mentor, Mike Keneally, the resulting body of work runs the gamut from hardcore jazz/rock to vocal pop to world beat while somehow staying thematically intact, all the while displaying equal parts density and sensitivity, melody and dissonance, tranquility and furious release. 

Musicians include guitarists Mike Keneally, Rick Musallam (Ben Taylor Band), Griff Peters and Yogi; drummers Toss Panos (Toy Matinee, Steve Vai) and Joe Travers (Dweezil Zappa, Lisa Loeb). 



“Just when you thought Beller couldn’t possibly be good at another thing, he releases a solo album so good it makes you wonder why he bothered doing anything else…View shows how terrific Beller is as a bassist, but it also establishes his real musical talent as a writer. It’s a thrill to witness an artist like Beller find his voice with such a self-assured debut.” – Bill Leigh, Bass Player Magazine 

“Seven Percent Grade shows that charging fingerstyle fusion is as comfortable for [Beller] as a fine rock riff…and both “Bite” and “See You Next Tuesday” show he can rock with the best….Inventive solo pieces such as “Elate” & “No” show that Beller isn’t going to fall into any clichés either. Inventive and creative, View end[s] up as a complete and compelling album, which I’m still enjoying right now.” – Adrian Ashton, Bass Guitar Magazine (U.K.) 

“Bryan is one of those bass players who just knows how to put the right note in the right place at the right time…monster playing and good vibes.” – Michael Manring (solo artist, Attention Deficit) 

“A unique blend of solid old school playing with modern sensibility and lots of edge.” – Andy West (Dixie Dregs) 

“Every expectation you may have about this album is going to be blown clear out of the water when you hear it. It’s really, really good, unique and intricate and ballsy and beautifully performed.” – Mike Keneally 

released October 28, 2003 


all music and lyrics written by Bryan Beller 
© 2003 Panorama Ataraxia Music BMI 
except 

*Backwoods 
music by John Patitucci 
© 1990 Universal MCA Music 

**Bite 
music by Wes Wehmiller 
lyrics by Colin Keenan 
© 1995 Maximum Music BMI 

produced by Bryan Beller 
recorded and mixed by Nick D’Virgilio 
additional engineering and key Pro Tools engineering by Ed Monsef 

tracked and mixed at 
Lawnmower Studio and Garden Supplies 
Pasadena, CA, April-June 2003 
key editing performed at 
Ear Kandy Studio, Toluca Lake, CA 
mastered by Jay Frigoletto at 
Mastersuite, Hollywood, CA 

art design and title concept by Katy Towell 

road photography by Wes Wehmiller 
cityscape photo in cover window by Stanley Leary 
© Georgia Tech Research Corporation/Georgia Institute of Technology
sound effects – Creative Sound Design/The Recordist.com 
documentation and cartage – Wayne Perez 
charts – Chris Opperman 
movie dialogue excerpts from “in the company of men” © 1998 Columbia/Tristar Studios 
additional sound effects – Wayne Perez and Ed Monsef of Team Burl Core, LLC (Respect Division) 

thanks and love to everyone who helped make this a reality and to all who provided support along the way 

(c) 2003 Onion Boy Records, All Rights Reserved

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1 day ago

Bryan Beller

Thank you Helsinki and Tampere (shown here), Finland! Your winter wonderland is beautiful and Finns are nice folks. One more Finland Aristocrats show tonight in Jyväskylä, then it's off to Istanbul... ... See MoreSee Less

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4 days ago

Bryan Beller

So, I did a thing. #yolo ... See MoreSee Less

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6 days ago

Bryan Beller

BLACK FRIDAY RECOMMENDATION: If you dug Nili Brosh’s amazing work on the lead guitar of “World Class” from “Scenes From The Flood”, you ain’t heard nothin’ yet. Her latest solo album “Spectrum” is available for pre-order now (link in comments). It’s really, really good, and quite diverse as well. Check out this video clip of her soloing on a cut from the album, and follow her on your favorite social if you like.

This Thanksgiving I’m especially grateful to all of the incredible musicians who contributed to “Scenes From The Flood”. Nili was one of 25 people (and that’s just the musicians!) without whom the final album would not have been possible.

And, of course, I’m grateful to you for all of your support.
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7 days ago

Bryan Beller

To my American friends: Happy Thanksgiving from Malmö, Sweden! With so much new music out, I’m ever more thankful for your support this year. And my suitcases feel very useful, which makes them thankful as well. (Yes, my suitcases talk to me, it’s come to that.) 🙏🙏🙏 ... See MoreSee Less

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