VIEW (2003)

 


Long known as a uniquely talented yet tasteful hired gun bassist for the more adventurous rock guitarists of recent times (Mike Keneally, Steve Vai, Dweezil Zappa, Wayne Kramer), Bryan Beller ventures out on his own with his debut solo album, View

Those familiar with his main body of work – nine years, five albums and countless tours with former Frank Zappa guitarist Mike Keneally – are well aware of his ability to navigate the complex, sometimes impossibly dense forms and styles present in Keneally’s work…all with the polish, simplicity and accessibility one might expect from a pop bassline. Both a repeat feature subject and three-year columnist for Bass Player Magazine, Beller has long drawn the attention of music fans with a discriminating taste for high-caliber playing. 

But far from aspiring to bass heroism, Beller instead builds a carefully crafted emotional tapestry of interweaving themes and styles – a true album in the old-fashioned sense. Drawing on influences as disparate as John Scofield and Rage Against The Machine, Michael Landau and Pink Floyd, Nine Inch Nails and his mentor, Mike Keneally, the resulting body of work runs the gamut from hardcore jazz/rock to vocal pop to world beat while somehow staying thematically intact, all the while displaying equal parts density and sensitivity, melody and dissonance, tranquility and furious release. 

Musicians include guitarists Mike Keneally, Rick Musallam (Ben Taylor Band), Griff Peters and Yogi; drummers Toss Panos (Toy Matinee, Steve Vai) and Joe Travers (Dweezil Zappa, Lisa Loeb). 



“Just when you thought Beller couldn’t possibly be good at another thing, he releases a solo album so good it makes you wonder why he bothered doing anything else…View shows how terrific Beller is as a bassist, but it also establishes his real musical talent as a writer. It’s a thrill to witness an artist like Beller find his voice with such a self-assured debut.” – Bill Leigh, Bass Player Magazine 

“Seven Percent Grade shows that charging fingerstyle fusion is as comfortable for [Beller] as a fine rock riff…and both “Bite” and “See You Next Tuesday” show he can rock with the best….Inventive solo pieces such as “Elate” & “No” show that Beller isn’t going to fall into any clichés either. Inventive and creative, View end[s] up as a complete and compelling album, which I’m still enjoying right now.” – Adrian Ashton, Bass Guitar Magazine (U.K.) 

“Bryan is one of those bass players who just knows how to put the right note in the right place at the right time…monster playing and good vibes.” – Michael Manring (solo artist, Attention Deficit) 

“A unique blend of solid old school playing with modern sensibility and lots of edge.” – Andy West (Dixie Dregs) 

“Every expectation you may have about this album is going to be blown clear out of the water when you hear it. It’s really, really good, unique and intricate and ballsy and beautifully performed.” – Mike Keneally 

released October 28, 2003 


all music and lyrics written by Bryan Beller 
© 2003 Panorama Ataraxia Music BMI 
except 

*Backwoods 
music by John Patitucci 
© 1990 Universal MCA Music 

**Bite 
music by Wes Wehmiller 
lyrics by Colin Keenan 
© 1995 Maximum Music BMI 

produced by Bryan Beller 
recorded and mixed by Nick D’Virgilio 
additional engineering and key Pro Tools engineering by Ed Monsef 

tracked and mixed at 
Lawnmower Studio and Garden Supplies 
Pasadena, CA, April-June 2003 
key editing performed at 
Ear Kandy Studio, Toluca Lake, CA 
mastered by Jay Frigoletto at 
Mastersuite, Hollywood, CA 

art design and title concept by Katy Towell 

road photography by Wes Wehmiller 
cityscape photo in cover window by Stanley Leary 
© Georgia Tech Research Corporation/Georgia Institute of Technology
sound effects – Creative Sound Design/The Recordist.com 
documentation and cartage – Wayne Perez 
charts – Chris Opperman 
movie dialogue excerpts from “in the company of men” © 1998 Columbia/Tristar Studios 
additional sound effects – Wayne Perez and Ed Monsef of Team Burl Core, LLC (Respect Division) 

thanks and love to everyone who helped make this a reality and to all who provided support along the way 

(c) 2003 Onion Boy Records, All Rights Reserved

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Bryan Beller

BASS PLAYER INTERVIEWS BASS PLAYER: Aside from me finally deploying that snarky headline I've been sitting on for 20 years, I can say with confidence that the kind folks at BP interviewed me for the latest issue, available now. Thanks BP! Also: Thundercat, I think I need some wardrobe consulting. These black t-shirts of mine are getting tired.The new Bass Player is out now, with the mighty Thundercat exploring the depths of his unique creativity, Nate Mendel of the Foo Fighters talking stadium-sized bass tones, and Este Haim revealing which fusion classic she warms up with. They're joined by Dave Swift, Snow Owl, Mark Egan, Catherine Popper and Bryan Beller... that's a serious line-up of bass wisdom right there. Add our exclusive first review of Peter Hook's new signature Yamaha, plus reviews of killer Lakland, Anaconda and Ashdown gear, and it's another essential issue! Grab it at bit.ly/3bBQCxz. ... See MoreSee Less

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1 week ago

Bryan Beller

AN ACCOUNTANT’S BEST FRIEND: About six months ago I was spending quite a bit of time shooting a video for the songs “A Quickening/Steiner In Ellipses” from my most recent solo album “Scenes From The Flood”. This was a still pic from the day we shot “B. Harrison Firestone, C.P.A.” An untold story: The accounting firm’s final numbers checker, Ellie (seated at right), was not pleased with the reconciliation for FY2019, and requested a full audit at once. Also, her ball. ... See MoreSee Less

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