BRYAN BELLER


Bryan Beller has maintained a multi-faceted career as a bassist, composer, solo artist and clinician for over 25 years, earning his reputation as a uniquely talented yet supremely tasteful team player for instrumentally-minded artists. In the power super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums) he’s a part of one of the hottest acts in rock/fusion today; their 2019 release You Know What…? debuted at #2 on the Billboard Jazz Chart. He toured with Joe Satriani for 11 years, and tracked Satriani’s studio albums Shockwave Supernova (2015) and The Elephants Of Mars (2022), as well as the Joe Satriani/Steve Vai/Eric Johnson G3 Reunion (2025) live album. He was Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, and he also toured and recorded in the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse. He’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 20 years and 10 albums.

On his own, Beller’s solo album catalog includes 2003’s View, 2008’s Thanks In Advance, and 2011’s Wednesday Night Live, as well as an Alfred instructional DVD, all released to widespread acclaim. His 2019 solo release – the progressive concept double album Scenes From The Flood featuring Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, Gene Hoglan (Dethklok), Ray Hearne (Haken) and many more was hailed by multiple outlets as an instant classic: “A colossal artistic statement and a career triumph…one of the year’s most intriguing and staggering albums, it will for sure end in our 2019 best of lists.” (Scott Medina, Sonic Perspectives)

As a pure player, a composer, a masterclass clinician, a former Contributing Editor for Bass Player Magazine, and a former VP of SWR bass amps, Bryan Beller brings a holistic perspective to the world of bass, and music.

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LONGER BIO

Bryan Beller has maintained a frenetic, multi-faceted career as a bassist, composer, solo artist, writer and clinician for over twenty-five years.

Beller’s reputation as a uniquely talented yet supremely tasteful team player for adventurous instrumentally-minded artists is clearly evidenced in his work for some of the industry’s top names. He’s been Joe Satriani’s touring bassist since 2013, notching three world tours (including a G3 with John Petrucci and Phil Collen of Def Leppard), several cuts on Satch’s 2015 release Shockwave Supernova, and a feature appearance in Satriani’s tour documentary film Beyond The Supernova. More recently, Beller tracked the entire 2022 Satriani album The Elephants Of Mars and appeared on the Joe Satriani/Steve Vai/Eric Johnson live release G3 Reunion (2025) as Joe’s bassist and bassist for the three-guitarist G3 jam. He’s also the bassist of the rock/fusion super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums), one of the hottest acts in the genre today. The Aristocrats released six critically acclaimed albums in five short years, with their sixth (2019’s You Know What…?) debuting at #2 on the Billboard Jazz Chart. Their four successful world tours even included joining Satriani and Steve Vai for a G3 run in Europe. This high profile work has landed Beller on the pages of numerous music magazines, including cover features in Bass Player and Bass Musician magazines.

As a solo artist, Beller’s most current release (2019) is the epic-scale modern progressive double concept album Scenes From The Flood. The massive 2CD/2LP work gathered an all-star cast of 26 musicians (including Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, Gene Hoglan (Dethklok), Ray Hearne (Haken), Joe Travers, Nili Brosh, Mike Dawes, Janet Feder, and many more) to explore themes of ambition and loss, intentionality and reality, hope and disillusionment. It uses every second of its 18-song, 88-minute running order to tell an emotionally consuming and unforgettable musical story. Scenes From The Flood was hailed by multiple outlets as an instant classic: “A colossal artistic statement and a career triumph…one of the year’s most intriguing and staggering albums, it will for sure end in our 2019 best of lists.” (Scott Medina, Sonic Perspectives)

Before then, Beller released his debut solo album View in late 2003 to widespread acclaim, earning the monthly feature in Bass Player Magazine (“…it’s a thrill to witness an artist like Beller find his voice with such a self-assured debut…”). His second album Thanks In Advance (2008) garnered even more critical praise (“…a bonafide entry for bass album of the year” – Chris Jisi, Bass Player Magazine). Beller’s first live album Wednesday Night Live – a raw, powerful, intimate document of his 2010 touring lineup playing the world-famous Baked Potato in Los Angeles – was released in 2011 on both CD and DVD. His first instructional DVD, Mastering Tone And Versatility, was released by Alfred Publishing in early 2012, and he’s a featured artist on the instructional website Jamplay.com.

Beller’s additional sideman gig experience includes being Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, a tour-de-force document of the six-piece Vai live band Beller anchored on bass in 2007. Beller also appears on several Steve Vai albums, notably Inviolate (2022), Real Illusions: Reflections (2005) and The Ultra-Zone (1999). He’s also toured with the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse; Beller’s tracked on the last two Dethklok releases (Dethalbum III; The Doomstar Requiem) and has joined the band for three nationwide tours to date, alongside metal monsters Mastodon and Machine Head, among others. And he’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 17 years and 10 albums.

Beller’s 16-year span as a freelance writer includes cover stories on bass luminaries such as Justin Chancellor (Tool), Christian McBride, Alex Webster (Cannibal Corpse) and Chris Wolstenholme (Muse), as well as a landmark cover feature on the state of heavy metal bass involving ten different interviews. In 2010, Beller interviewed former Governor of Arkansas and 2008 Republican Presidential candidate (and part-time bassist) Mike Huckabee for Bass Player Magazine. He’s also interviewed a veritable who’s who of the modern bass world: Jonas Hellborg, Victor Wooten, John Patitucci, Lee Sklar, Neil Stubenhaus, Jay DeMarcus (Rascal Flatts), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Bill Laswell, Jimmy Haslip, Stefan Lessard (Dave Matthews Band), Matt Garrison, Adam Nitti, Oteil Burbridge, Dave LaRue, Miroslav Vitous, Billy Sheehan, Emmy-award winning television scorer W.G. “Snuffy” Walden (The West Wing), and myriad others.

Beller’s earliest days on bass were as a Westfield, New Jersey pre-teen on upright in the school orchestra. It was short-lived, as he switched to electric at 13 to better play Rush, Led Zeppelin, Pink Floyd and Metallica tunes. Concurrently, a couple of years of classical piano lessons morphed into his own self-taught ear training regimen, as he learned to play those same classic rock and metal songs on the piano completely by ear. Once he landed at Berklee College Of Music, Beller focused solely on bass, and eventually joined a blues-rock band called 100 Proof, which played originals mixed with blues and Allman Brothers covers in Boston’s dirtiest bars. Beller’s rootsy, earthy, groove-oriented approach (as opposed to some of the more shred-oriented players of the time) had found a welcome home – and the original lineup of the band went on to do interesting things: One (Dylan Altman) wrote a #1 hit song for Tim McGraw; another (Jon Skibic) served as the touring guitarist for The Eels and the Gigolo Aunts; and the other (Ben Sesar) ended up as Brad Paisley’s touring drummer for ten years and counting.

But it was when Beller met drummer (and Frank Zappa fanatic) Joe Travers at Berklee that his career first ventured onto its current path. Joe knew Mike Keneally, who was in Dweezil and Ahmet Zappa’s band Z. Eventually Joe moved to Los Angeles, joined that band, and got Beller an audition in 1993, which Beller won, thereby entering the world of Zappa-influenced and independently-minded musicians he still calls fellow travelers to this day.

As a pure player, a composer, a masterclass clinician (sponsored by Mike Lull Custom Basses, Gallien-Krueger Amplification and D’Addario Strings), a former Contributing Editor for Bass Player Magazine, and a former Vice-President of SWR Sound Corporation, Beller brings a holistic perspective to the world of bass, and music.

4 days ago

Bryan Beller
NAMM, KENEALLY STYLE: It's always a special occasion to play with Mike Keneally, Joe Travers and Rick Musallam at The Baked Potato, but Tuesday and Wednesday of the week leading into NAMM is extra juicy special! We welcome folks in from out of town who might never otherwise get to see this special quartet, as well as the local faithful who've been so great all of these 7 years. We're celebrating the occasion with four shows over two days and a 37-tune songlist. Lots of unique stuff in each set. I cordially invite anyone in the vicinity to witness this ultra-unique musical kaleidoscope, portrayed with 100% drawing accuracy by Mr. K himself. ... See MoreSee Less
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4 weeks ago

Bryan Beller
LEST I FORGET: I now realize that my year in review post from last week had one glaring omission: WesFest 20 in Boston back in July! Perhaps it’s fitting that it gets its own re-post. 20 years after helping to start this annual event, I was on hand to help award the Wes Wehmiller Scholarship Award to Stella Chapple, and we celebrated with a BB/Victor Wooten/Steve Bailey jam that was tons of fun. Long live WesFest and long live Wes Wehmiller.Happy holidays, everyone! ... See MoreSee Less
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4 weeks ago

Bryan Beller
2025 IN REVIEW: This year started off with the release of the Joe Satriani/Steve Vai/Eric Johnson “G3 Reunion Live” Album, the live capture of two Los Angeles shows at the end of this exclusive limited-run tour. Being on a Joe live album was a great way to cap off a 12-consecutive-year run in his live band. But being the bassist for this legendary reunion jam set was even more of a circle completed. As the older heads following along here might remember, in 1996 I auditioned for Steve Vai’s band for the original G3 tour, the very first one, with this specific lineup (Satch/Vai/EJ). I was 25 and young and hungry but the gig went to a very deserving Philip Bynoe (who’s still with Vai today!). So it took about 30 years, and I guess I played with a lot of other guitarists in that time (!), but it was especially nice to be there for this once-only three-week reunion tour and resulting live album. “Spanish Castle Magic” is the cut where I feel like it all really came together. Thanks go to Eric, Steve, and especially Joe, for the incredible music and great vibes. (And thanks eternal to Mike Keneally, who as always was there to make the connections happen in the first place!)Then it was off for a marathon run with The Aristocrats: Australia (first time since 2016!), then all over Asia (including India), and then straight to Miami for the Cruise to the Edge (first time for me!), and then straight on into a USA run. It was almost three months in total, and we reached so many fans in so many different corners of the world. It never stops being amazing to me that we have our own band, our own songs, and that Guthrie, Marco and yours truly have managed to to turn a one-off jam at the NAMM show in 2011 into the world touring act it is today. If you came to one of those shows on the ever-evolving DUCK World Tour: thank you so very much. I had some time at home and then The Aristocrats went back to South America (also first time since 2016) for three weeks of incredible crowds, some of the largest we’ve ever played. Finally, in October, Mike Keneally & Beer For Dolphins reunited for an east coast/midwest tour for the first time since 2017. Suffice it to say, many notes were played loudly on stages throughout the year.But I also refocused on my solo material, because I could feel some new material brewing for the first time in quite a while. I got back into the solo artist swing of things by releasing “Calm Before The Storm: A ‘Thanks In Advance’ Remix EP”, which took another look at three of the key compositions from my 2008 release “Thanks In Advance”. Sonic guru Forrester Savell remixed “Greasy Wheel”, “Cave Dweller” and “Love Terror Adrenaline”, all songs that ended up having Aristocrats lineage (the first two were in our early live sets; the third actually had Marco on drums, an anomaly in my solo catalog). 100 limited CDs were pressed and snapped up - thank you for your support! The EP is up digitally on my Bandcamp page as well as your favorite streaming services. I also still have some signed/numbered BLUE VINYL copies of “Scenes From The Flood” left in the webstore (at bryan beller dot com). 18, to be exact. And finally, I started work on demos for my next solo album. More on that in a later post. This picture is Death Valley from Dante's View, with the rare appearance of a lake in Badwater Basin from some hard rainfall days before. This is like a "choose your own adventure" metaphor generator, so I'll leave you to that and wish you a very happy holiday season, along with eternal thanks for following me on ye olde social media. As Ringo always says: Peace and love, people. ... See MoreSee Less
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1 month ago

Bryan Beller
FIRST GIG OF 2026: It’s the return of Mike Keneally & Beer For Dolphins at The Baked Potato, on the Tuesday and Wednesday right before the NAMM show (Jan 20-21). If you’re local, or in town from out of town for NAMM a little early, come on down! (I also have to say that Mike’s hand drawn poster graphics of this band are getting better and better.) ... See MoreSee Less
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1 month ago

Bryan Beller
ART ROCK: Here's a unique holiday gift idea from my friend and musical compatriot Griff Peters, who has compiled a coffee-table-worthy book of stunning photos of balanced rock formations as a statement of nature art ethos. No AI here! Check the video - available at griff peters dot com. ... See MoreSee Less
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