BRYAN BELLER


Bryan Beller has maintained a multi-faceted career as a bassist, composer, solo artist and clinician for over 25 years, earning his reputation as a uniquely talented yet supremely tasteful team player for instrumentally-minded artists. In the power super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums) he’s a part of one of the hottest acts in rock/fusion today; their 2019 release You Know What…? debuted at #2 on the Billboard Jazz Chart. He toured with Joe Satriani for 11 years, and tracked Satriani’s studio albums Shockwave Supernova (2015) and The Elephants Of Mars (2022), as well as the Joe Satriani/Steve Vai/Eric Johnson G3 Reunion (2025) live album. He was Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, and he also toured and recorded in the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse. He’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 20 years and 10 albums.

On his own, Beller’s solo album catalog includes 2003’s View, 2008’s Thanks In Advance, and 2011’s Wednesday Night Live, as well as an Alfred instructional DVD, all released to widespread acclaim. His 2019 solo release – the progressive concept double album Scenes From The Flood featuring Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, Gene Hoglan (Dethklok), Ray Hearne (Haken) and many more was hailed by multiple outlets as an instant classic: “A colossal artistic statement and a career triumph…one of the year’s most intriguing and staggering albums, it will for sure end in our 2019 best of lists.” (Scott Medina, Sonic Perspectives)

As a pure player, a composer, a masterclass clinician, a former Contributing Editor for Bass Player Magazine, and a former VP of SWR bass amps, Bryan Beller brings a holistic perspective to the world of bass, and music.

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LONGER BIO

Bryan Beller has maintained a frenetic, multi-faceted career as a bassist, composer, solo artist, writer and clinician for over twenty-five years.

Beller’s reputation as a uniquely talented yet supremely tasteful team player for adventurous instrumentally-minded artists is clearly evidenced in his work for some of the industry’s top names. He’s been Joe Satriani’s touring bassist since 2013, notching three world tours (including a G3 with John Petrucci and Phil Collen of Def Leppard), several cuts on Satch’s 2015 release Shockwave Supernova, and a feature appearance in Satriani’s tour documentary film Beyond The Supernova. More recently, Beller tracked the entire 2022 Satriani album The Elephants Of Mars and appeared on the Joe Satriani/Steve Vai/Eric Johnson live release G3 Reunion (2025) as Joe’s bassist and bassist for the three-guitarist G3 jam. He’s also the bassist of the rock/fusion super-trio The Aristocrats (with uber-players Guthrie Govan on guitar and Marco Minnemann on drums), one of the hottest acts in the genre today. The Aristocrats released six critically acclaimed albums in five short years, with their sixth (2019’s You Know What…?) debuting at #2 on the Billboard Jazz Chart. Their four successful world tours even included joining Satriani and Steve Vai for a G3 run in Europe. This high profile work has landed Beller on the pages of numerous music magazines, including cover features in Bass Player and Bass Musician magazines.

As a solo artist, Beller’s most current release (2019) is the epic-scale modern progressive double concept album Scenes From The Flood. The massive 2CD/2LP work gathered an all-star cast of 26 musicians (including Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, Gene Hoglan (Dethklok), Ray Hearne (Haken), Joe Travers, Nili Brosh, Mike Dawes, Janet Feder, and many more) to explore themes of ambition and loss, intentionality and reality, hope and disillusionment. It uses every second of its 18-song, 88-minute running order to tell an emotionally consuming and unforgettable musical story. Scenes From The Flood was hailed by multiple outlets as an instant classic: “A colossal artistic statement and a career triumph…one of the year’s most intriguing and staggering albums, it will for sure end in our 2019 best of lists.” (Scott Medina, Sonic Perspectives)

Before then, Beller released his debut solo album View in late 2003 to widespread acclaim, earning the monthly feature in Bass Player Magazine (“…it’s a thrill to witness an artist like Beller find his voice with such a self-assured debut…”). His second album Thanks In Advance (2008) garnered even more critical praise (“…a bonafide entry for bass album of the year” – Chris Jisi, Bass Player Magazine). Beller’s first live album Wednesday Night Live – a raw, powerful, intimate document of his 2010 touring lineup playing the world-famous Baked Potato in Los Angeles – was released in 2011 on both CD and DVD. His first instructional DVD, Mastering Tone And Versatility, was released by Alfred Publishing in early 2012, and he’s a featured artist on the instructional website Jamplay.com.

Beller’s additional sideman gig experience includes being Steve Vai’s choice for the 2009 live CD/DVD Where The Wild Things Are, a tour-de-force document of the six-piece Vai live band Beller anchored on bass in 2007. Beller also appears on several Steve Vai albums, notably Inviolate (2022), Real Illusions: Reflections (2005) and The Ultra-Zone (1999). He’s also toured with the “band” Dethklok, a tongue-in-cheek extreme metal band borne of the hit Cartoon Network “Adult Swim” show Metalocalypse; Beller’s tracked on the last two Dethklok releases (Dethalbum III; The Doomstar Requiem) and has joined the band for three nationwide tours to date, alongside metal monsters Mastodon and Machine Head, among others. And he’s been a musical partner of freak/genius guitarist Mike Keneally (Frank Zappa) for over 17 years and 10 albums.

Beller’s 16-year span as a freelance writer includes cover stories on bass luminaries such as Justin Chancellor (Tool), Christian McBride, Alex Webster (Cannibal Corpse) and Chris Wolstenholme (Muse), as well as a landmark cover feature on the state of heavy metal bass involving ten different interviews. In 2010, Beller interviewed former Governor of Arkansas and 2008 Republican Presidential candidate (and part-time bassist) Mike Huckabee for Bass Player Magazine. He’s also interviewed a veritable who’s who of the modern bass world: Jonas Hellborg, Victor Wooten, John Patitucci, Lee Sklar, Neil Stubenhaus, Jay DeMarcus (Rascal Flatts), Justin Meldal-Johnsen (Beck, Nine Inch Nails), Bill Laswell, Jimmy Haslip, Stefan Lessard (Dave Matthews Band), Matt Garrison, Adam Nitti, Oteil Burbridge, Dave LaRue, Miroslav Vitous, Billy Sheehan, Emmy-award winning television scorer W.G. “Snuffy” Walden (The West Wing), and myriad others.

Beller’s earliest days on bass were as a Westfield, New Jersey pre-teen on upright in the school orchestra. It was short-lived, as he switched to electric at 13 to better play Rush, Led Zeppelin, Pink Floyd and Metallica tunes. Concurrently, a couple of years of classical piano lessons morphed into his own self-taught ear training regimen, as he learned to play those same classic rock and metal songs on the piano completely by ear. Once he landed at Berklee College Of Music, Beller focused solely on bass, and eventually joined a blues-rock band called 100 Proof, which played originals mixed with blues and Allman Brothers covers in Boston’s dirtiest bars. Beller’s rootsy, earthy, groove-oriented approach (as opposed to some of the more shred-oriented players of the time) had found a welcome home – and the original lineup of the band went on to do interesting things: One (Dylan Altman) wrote a #1 hit song for Tim McGraw; another (Jon Skibic) served as the touring guitarist for The Eels and the Gigolo Aunts; and the other (Ben Sesar) ended up as Brad Paisley’s touring drummer for ten years and counting.

But it was when Beller met drummer (and Frank Zappa fanatic) Joe Travers at Berklee that his career first ventured onto its current path. Joe knew Mike Keneally, who was in Dweezil and Ahmet Zappa’s band Z. Eventually Joe moved to Los Angeles, joined that band, and got Beller an audition in 1993, which Beller won, thereby entering the world of Zappa-influenced and independently-minded musicians he still calls fellow travelers to this day.

As a pure player, a composer, a masterclass clinician (sponsored by Mike Lull Custom Basses, Gallien-Krueger Amplification and D’Addario Strings), a former Contributing Editor for Bass Player Magazine, and a former Vice-President of SWR Sound Corporation, Beller brings a holistic perspective to the world of bass, and music.

16 hours ago

Bryan Beller
See you soon, New Jersey. ... See MoreSee Less
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2 days ago

Bryan Beller
MIKE KENEALLY TOUR NEXT WEEK: I thought maybe this photo would get your attention! That’s me, Mike Keneally, Joe Travers and Rick Musallam 20 years ago at Broadway Joe’s in Buffalo. We are all great friends and we don’t get to tour as a quartet playing Keneally’s uniquely incredible music very often. I’m leaving for travel tomorrow, so I’ll say it again for the folks in the back - if you are anywhere near these shows, and you’re a fan of prog/pop/fusion shaped by Zappa, XTC, The Beatles, Gentle Giant, and lots more, come on out and watch some truly amazing live music. Oh, and we’ll be playing a song from my solo album Scenes From The Flood for the first time ever! *crosses fingers*MIKE KENEALLY &BEER FOR DOLPHINSOCTOBER 2025 TOUR12 – Rutherford, NJ – PROGSTOCK14 – New York, NY – The Cutting Room15 – Annville, PA – Allen Theater16 – Cleveland, OH – Beachland Tavern17 – Ft. Wayne, IN – Sweetwater Performance Pavillion18 – Chicago, IL – Reggie’s(ticket links in first comment) ... See MoreSee Less
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3 days ago

Bryan Beller
NIN LOS ANGELES: I made it out to the very last show of the Nine Inch Nails Peel It Back 2025 tour at the Kia Forum in L.A., and I'm damned glad I did. They leaned hard on The Downward Spiral material, which I wasn't expecting and was stoked about. The sound was pretty freakin' good considering it was an arena and I was in the back upper deck like a good regular Joe fan. They also set up a second stage in the middle of the crowd, which was mostly synth based for inventive rearrangements of some of the classic material. It was well worth the ticket (and the arena hassle!).And it's an incredible body of work when you think about it. I talk a lot about how The Fragile influenced Scenes From The Flood, but With Teeth, The Slip, Year Zero, and the three 2010s EP's all hit me deeply as well. As for The Downward Spiral...I remember in the fall of 1994, when a woman I was dating invited me to see Nine Inch Nails with her and her friends. She was not a goth at all - if anything, she presented as the complete and total opposite. I knew about the single "Closer" with it's instantly infamous chorus lyric and that was about it. I thought, ok, sure. Imagine me walking into that 6000 capacity room and hearing NIN run through contemporary versions of most of the Downward Spiral album, plus select cuts from the two previous releases, all while throwing themselves around the stage and destroying at least one Yamaha DX-7 a night, if not more. I was one of the only people in the room who wasn't screaming every single lyric at the top of their lungs. It was sweaty uncontrolled mania in there. By the time the show ended, I was irrevocably altered. I was 23. Fast forward 31 years, and I've seen NIN live more than any other act in my life. I looked around the crowd at the Kia Forum. People say Gen X is the forgotten generation, but not in that room we weren't. Lots of 40 and 50 somethings, still dressed in concert black. Some were goth-ed out, others dressed in far more unassuming outfits. The crowd was more singing the lyrics than shouting this time around, and even Trent and the guys were no longer throwing themselves into each other and wrecking their gear. But 30 years later, the combination of Trent's angsty human exploration and his unique sonic/melodic world continues to touch me deeply, and clearly I'm not the only one. As I get back into songwriting mode for another solo album, I’m reminded that, while I have a blast writing material for The Aristocrats and I’m generally positive on Ye Olde Social Media, I can also be a bit of a brooder. Working through more complex emotional stuff in musical composition is a privilege, and it also doesn’t come for free. It takes a long time and it takes a lot out of me. At this stage of the game, the bottom of the “make an album!” mountain, I’m grateful to guys like Trent Reznor and Roger Waters who showed that it can be done, with artistic integrity, and in a way that’s accessible enough for people of all walks of life to be able to feel it and transform it into their own experiences. Now if you’ll excuse me, I need to try and remember how to play guitar again. ... See MoreSee Less
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6 days ago

Bryan Beller
TERRY SYREK'S "STORY 2" AVAILABLE NOW: If you thought "Snow, Snow" was amazing, wait until you hear the whole album. Terry Syrek's incredible second album surpasses his first and brings the epic shred (and great songwriting) in ways you have to hear to believe. I'm on six tracks this time. Each one was a special mountain to climb, and worth the journey each time. Check out Terry's album on Bandcamp (hi-res digital) or on his webstore. I'll link both in the comments. ... See MoreSee Less
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7 days ago

Bryan Beller
KENEALLY TOUR KOUNTDOWN: Less than two weeks away now until the Mike Keneally and Beer For Dolphins tour begins! Oct 12-18 will see us hit six quick shows from NY to Chicago. This lineup of MK/me/Joe Travers/Rick Musallam hasn’t been there in forever and who knows when it will happen again! Some of y’all know how amazing Keneally’s work is, but if you don’t, it has to be seen to be believed. And these will be my last travel dates in the States for a bit. All the more reason to look at the first comment for the ticket links and make a plan to check out one of these dates today! (yes I’m hyping here but it’s worth it, I assure you)MIKE KENEALLY &BEER FOR DOLPHINSOCTOBER 2025 TOUR12 – Rutherford, NJ – PROGSTOCK14 – New York, NY – The Cutting Room15 – Annville, PA – Allen Theater16 – Cleveland, OH – Beachland Tavern17 – Ft. Wayne, IN – Sweetwater Performance Pavillion18 – Chicago, IL – Reggie’s ... See MoreSee Less
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