THANKS IN ADVANCE (2008)

 


Five years after his acclaimed debut album View, renowned bassist Bryan Beller (Steve Vai, Mike Keneally, Dethklok) creates an emotionally charged, personally definitive jazz/rock compositional statement about breaking through anger and finding gratitude. Drawing on disparate influences from jazzer John Scofield to Pink Floyd, Steely Dan, and even Rage Against The Machine, Beller cranks up the instrumental intensity with fellow heavyweights Mike Keneally (solo artist, Frank Zappa); drummers Marco Minnemann (world-famous clinician), Toss Panos (Larry Carlton, Robben Ford), Joe Travers (Zappa Plays Zappa), and Nick D’Virgilio (Spock’s Beard, Tears For Fears); and special guests violinist Ann Marie Calhoun (Jethro Tull; 2008 YouTube “My Grammy Moment” winner) and saxophonist Scheila Gonzalez (Zappa Plays Zappa).

“Beller engaged in some sonic soul-searching for his sophomore effort ‘Thanks In Advance’, and the welcome result is a bona fide entry for bass album of the year.” – Chris Jisi, Bass Player Magazine 

“I love Bryan’s playing! He’s solid, supportive and creative with tone for days. ‘Thanks in Advance’ is full of cool ideas, inspired performances and deep grooves. I definitely recommend it.” – Michael Manring

“Every tune sounds unique and compelling.” – Walter Kolosky, Jazz.com 

“As well-written as it is well-played.” – Nick Zaino, Skope 

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The Story Behind Thanks In Advance

Bassist Bryan Beller seemed to have it all: a storied sideman career (Mike Keneally, Steve Vai), regularly published articles in Bass Player Magazine, an acclaimed debut solo album (“View”, 2003 Onion Boy), and an executive corporate position running SWR bass amplification for Fender Musical Instruments Corporation. But the untimely death of a close friend in early 2005 exposed deep fissures in his own identity, and instigated a period of intense and sometimes painful self-examination. One year later, Beller had quit his day job, returned to life as a freelance musician, moved from L.A. to Nashville, found love, and experienced an epiphany that forever shifted his view of life, and his role in it.

Thanks In Advance is the musical manifestation of that journey. Set to Beller’s highly detailed, rock-infused, jazz/fusion compositional voice, it’s an intense trip through the heart of personal darkness – from the lushly dissonant orchestral arrangement of “Casual Lie Day,” to the searing, grinding dirge of “Cave Dweller,” and culminating with the frenzied “Love Terror Adrenaline/Break Through” featuring renowned virtuoso guitarist/composer Mike Keneally (solo artist/Frank Zappa) and recent Modern Drummer cover subject Marco Minnemann – before finally reaching a state of personal and musical peace in the title track and the album’s unexpected close.

“I was constantly unhappy, even angry, about my everyday life, wondering why this or that was all ‘happening to me,'” says Beller. “Only after a shock to my system did I get that, ultimately, I was the source of it all. Where I am now is infinitely more satisfying. So Thanks In Advance really completes View, which I now realize was a well-crafted complaint about things, and tries to convey how I got to being grateful for life’s everyday content, whatever it brings, as opposed to being angry with it. It sure wasn’t a painless process, but it’s been deeply, profoundly rewarding, and it’s a message I’d like to share with others. That’s what I’m up to with this record.”

More comfortable than ever in his own playing skin, Beller worked fretless, fretted, acoustic/electric, boutique and vintage basses into the mix, and contributed piano and guitar tracks as well. But he left plenty of spotlight for a stylistically diverse all-star cast: the aforementioned Keneally and Minnemann; drummer Joe Travers and saxophonist Scheila Gonzalez (Zappa Plays Zappa); violinist Ann Marie Calhoun (Steve Vai); View veteran guitarists Rick Musallam (Mike Keneally, Ben Taylor) and Griff Peters; keyboardist Jeff Babko (James Taylor, Robben Ford); and drummers Nick D’Virgilio (Spock’s Beard, Tears For Fears) and Toss Panos (Michael Landau, Larry Carlton). And that’s just the L.A. contingent; Beller tracked a whole separate group of Nashville musicians, including some veteran R&B grease in guitarist Bruce Dees (James Brown, Ronnie Milsap) and keyboardist Clayton Ivey (Wilson Pickett, Aretha Franklin) to complement the virtuosic firepower. There was also a personal touch, as Dees and Ivey previously recorded with the woman Beller moved to Nashville for: R&B singer/songwriter/keyboardist Kira Small, who also played Rhodes on the album’s title track.

While recording occurred in eleven different studios (primarily in Nashville, Los Angeles and San Diego), Beller bucked the remote-album file-swapping trend and personally attended nearly every session, bringing cohesion to the production and personally preserving the album’s narrative. “After a year of seclusion writing the material, I was more than ready to get out of the house and interact with the people I trusted to bring this music to life. Driving back and forth from Nashville to SoCal, with a van full of gear and basses and hard drives, going from studio to studio…it was really exhilarating to feel it all come together. That’s an easy one to be grateful for.”

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Thanks In Advance features performances by:

Guitarists

Mike Keneally (solo artist, Frank Zappa)
Rick Musallam (Mike Keneally Band, Ben Taylor)
Griff Peters (featured guitarist on Beller’s first album “View”)
Chris Cottros (Nashville session cat)
Bruce Dees (James Brown, Ronnie Milsap)

Keyboardists

Jeff Babko (James Taylor, Robben Ford, Jimmy Kimmel Live)
Jody Nardone (Crimson Jazz Trio)
Kira Small (solo artist, Martina McBride, Wynonna Judd)
Clayton Ivey (Wilson Pickett, Diana Ross, Aretha Franklin)

Drummers

Joe Travers (Zappa Plays Zappa, Lisa Loeb)
Toss Panos (Michael Landau, Larry Carlton)
Marco Minnemann (solo artist/clinician)
Nick D\’Virgilio (Tears For Fears, Spock\’s Beard)
Marcus Finnie (Diana Ross)

Special Guests

Saxphonist Scheila Gonzalez (Zappa Plays Zappa)
Violinist Ann Marie Calhoun (Steve Vai)

released September 30, 2008 

Produced by Bryan Beller

Mixed by Mark Niemiec at Muggytone Studio, Nashville, TN
Key editing by Mark Niemiec on all tracks except “Cave Dweller” key editing by Erich Gobel
Mastered by John and J.J. Golden at John Golden Mastering, Ventura, CA

All songs written by Bryan Beller © 2008 Panorama Ataraxia Music BMI
*except “Thanks In Advance” by Bryan Beller © 2008 Panorama Ataraxia Music BMI/Mike Keneally © 2008 Spen Music BMI/Griff Peters © 2008 Pointy Peak Music BMI/Joe Travers © 2008 Travers Tunes ASCAP.

CD booklet design and layout by Mike Mesker

Photography by Griff Peters (all except noted), Wes Wehmiller (tray card) and Leigh Ann Villanueva (booklet back page)

Infinite and profound thanks to Wes Wehmiller, to whom this record is dedicated.

(c) 2008 Onion Boy Records, All Rights Reserved.

all rights reserved

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5 hours ago

Bryan Beller

SATCH MEETS THE SWR MO’ BASS: Hopefully everyone knows I’m GK All Day these days by now…but 20 years ago I helped develop this crazy amp called the Mo’ Bass when I used to work at SWR. I never thought I’d get a chance to break out a sound as wild as that head’s BassSynth for a Joe Satriani tune, but along came “Night Scene” and it just seemed like the right thing for it. Fortunately, Joe agreed! This is one of my favorite tracks on the album - maybe it’s a sleeper for some, but the changes, melody, Joe’s playing, Rai Thistlethwayte’s vintage-crunchy Rhodes solo, and Kenny Aronoff’s groove all made it a blast to track. (Make sure to watch to the end where I demo the sound.) ... See MoreSee Less

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1 day ago

Bryan Beller

HACKER ALERT: I really try to keep it light and positive here, but the other day someone tried to hack into my Facebook account and change my password. They weren’t successful. I’m posting this so there’s a public record for Facebook that this happened…but also, just for public informational purposes, the last person who stole something from me ended up a mere three days later in the scene depicted in the picture attached to this post. I’m just saying.

Also, Ellie has been made aware of the situation. It takes a lot to rile her up, but she’s not pleased. Check the first comment for her reaction.
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6 days ago

Bryan Beller

UNITY GAIN TO FOH FTW: Folks might know I use the Xotic Guitars & Effects Bass BB Preamp as my main overdrive, but their EP Booster is pretty slick as well. Perfect for bringing my passive and lower-gain active basses up to unity gain w/my Mike Lull Custom Guitars & Guitarworks Modern 5. FOH gets the same level no matter which axe I grab. And those li'l EP's are cute, too.

(Thanks again to Justin Meldal-Johnsen for hipping me to that Bass BB Preamp over 20 years ago!)
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1 week ago

Bryan Beller

SATRIANI’S MACABRE PARADE: “Dance Of The Spores” is another example of an unusually wild and experimental track on “The Elephants Of Mars”. It’s also producer Eric Caudieux’s strange, special showcase. Check it out.

Joe Satriani
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1 week ago

Bryan Beller

His Master's Pig enjoys The Aristocrats With Primuz Chamber Orchestra on all available music platforms, though reliable sources inform me he's into owning vinyl and CD's as well.Our new album 'The Aristocrats With Primuz Chamber Orchestra' is now available to stream from all the usual platforms! Spotify and Apple Music users can head to linktr.ee/AristocratsBand to start listening now! ... See MoreSee Less

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SATCH MEETS THE MO’ BASS: You know I’m GK All Day right now, but 20 yrs ago I worked on this crazy amp called the SWR Mo’ Bass. Never thought I’d get to use a wild sound like MoBass BassSynth for a @chickenfootjoe tune, but “Night Scene” was the one!

https://t.co/83LsqxJ2iG

UNITY GAIN TO FOH FTW: Folks might know I use the @Xoticusa Bass BB Preamp as my main drive, but their EP Booster is slick as well. Perfect for bringing my passive & lower-gain active basses up to unity w/my @MikeLullCG M5. FOH gets the same level on every axe. They're cute, too.

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