WEDNESDAY NIGHT LIVE (2011)

 


A raw, powerful, intimate live document of the Bryan Beller Band 2010 touring lineup playing a 45-minute set at The Baked Potato in Los Angeles, plus two bonus tracks from other shows. Featuring: Rick Musallam (guitar), Griff Peters (guitar), Mike Keneally (keyboards & guitar), Bryan Beller (bass), Joe Travers (drums).


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Bassist/composer and sideman extraordinaire (Dethklok, Steve Vai, Mike Keneally) Bryan Beller’s first live album, Wednesday Night Live, is a raw, in-your-face, up-close-and-personal recording of Beller’s 2010 live band at the world famous Baked Potato in Los Angeles, and a serious statement from an artist who’s quickly establishing himself as one of the elite bass playing and compositional voices in the rock/jazz fusion scene today.

It started modestly, with Beller’s band opening for longtime compatriot Mike Keneally’s band using the same five musicians (including themselves) for five shows in the Northeast. The plan was for the Keneally/Beller “They’re Both The Same Band” tour to then hit the west coast, but scheduling got sticky. “We were able to confirm one date that worked for everyone: Wednesday, September 15, 2010, at The Baked Potato,” says Beller, who turns 40 this May. “And I said, screw it, let’s record it and see what happens. This is what happened.”

The album is Beller’s 6-song, 45-minute live set from the tour, plus bonus material consisting of a performance of View from the WesFest 2 benefit concert, and a rowdy, live-to-two-track rendition of “Cave Dweller” from the Thanks In Advance record release gig.

Beller already has two critically acclaimed studio releases under his belt: 2003’s View (“A solo album so good it makes you wonder why he bothered doing anything else.” – Bill Leigh, Bass Player ) and 2008’s Thanks in Advance (“A bonafide entry for bass album of the year.” – Chris Jisi, Bass Player). With a collection of intricately composed, multi-track layered tunes in his repertoire, and a true touring band for the first time in his career, Beller saw the issue of live vs. studio arrangements as a balancing act.

“I see myself as a rock/jazz fusion artist, with the rock part coming first. And I remember going to see Pink Floyd shows and wanting to see them honor the songs and individual parts I loved so much, while at the same time digging it when they stretched out in certain spots. That’s the balance I wanted the band to strike. So you’ll hear little parts and even some solos of mine that stay close to the record version, because I consider them a part of the song to some extent, and I want to honor that. But there’s also a lot of room to push the boundaries when we want to, and having such great players and friends in the band – guys I know and trust deeply, like Rick, Griff, Joe and Mike – just makes those moments extra special.”

Though there’s plenty of intensity in the funk/fusion workouts “Greasy Wheel” and “Seven Percent Grade” (to say nothing of the emotional low-to-high rollercoaster segue of “Life Story” and “Get Things Done”), Beller’s landmark ten-minute composition “Love Terror Adrenaline/Break Through” stands out as the set’s high point. “We’re talking about a studio cut with tons of tracks and layers and overdubs, and an impossibly complex melody played by Mike Keneally, and we condensed it into a five-piece arrangement that I’m quite proud of. The band played their asses off on that. They played their asses off all night. That’s why I wanted to put this out – because I think the way they played this material really deserves to be heard.”

released April 1, 2011 

The Bryan Beller Band:

Rick Musallam – guitar (left channel)
Griff Peters – guitar (right channel)
Mike Keneally – keys (lead guitar on “Love Terror Adrenaline” only)
Bryan Beller – bass
Joe Travers – drums

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Produced by Bryan Beller

Recorded by Tim Pinch on 9/15/10 at The Baked Potato in Los Angeles, CA
except “Cave Dweller” – recorded live to two-track by Dave Foster at the
Thanks in Advance CD release party on 1/22/09 at The Baked Potato in Los Angeles, CA
and “View” – recorded by Tim Pinch at the WesFest 2 benefit concert on 3/6/07
at The Gig in Los Angeles, CA

Mixed and edited by Mark Niemiec at Muggytone Studio, Nashville, TN
* except “Cave Dweller” – post-production by Dave Foster (CA) and Mark Niemiec (TN)
Mastered by Dan Shike at Tone And Volume Mastering, Nashville, TN

All songs written by Bryan Beller
© 2003 (tracks 3, 6, 7), © 2008 (tracks 1, 2, 4, 5, 8) Panorama Ataraxia Music BMI
* except “Thanks In Advance” by Bryan Beller © 2008 Panorama Ataraxia Music BMI/Mike Keneally © 2008 Spen Music BMI/Griff Peters © 2008 Pointy Peak Music BMI/Joe Travers © 2008 Traversisms Music BMI.

CD booklet design and layout by Mike Mesker

Photography by Matt Urban/Mobius New Media, Frank Teger, and Michael Mesker

** Band line up for “View” only:

Griff Peters – lead guitar
Rick Musallam – rhythm guitar
Kira Small – Rhodes
Bryan Beller – piano
Pete Griffin – bass
Joe Travers – drums

(c) 2011 Onion Boy Records, All Rights Reserved

21 hours ago

Bryan Beller
See you soon, New Jersey. ... See MoreSee Less
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2 days ago

Bryan Beller
MIKE KENEALLY TOUR NEXT WEEK: I thought maybe this photo would get your attention! That’s me, Mike Keneally, Joe Travers and Rick Musallam 20 years ago at Broadway Joe’s in Buffalo. We are all great friends and we don’t get to tour as a quartet playing Keneally’s uniquely incredible music very often. I’m leaving for travel tomorrow, so I’ll say it again for the folks in the back - if you are anywhere near these shows, and you’re a fan of prog/pop/fusion shaped by Zappa, XTC, The Beatles, Gentle Giant, and lots more, come on out and watch some truly amazing live music. Oh, and we’ll be playing a song from my solo album Scenes From The Flood for the first time ever! *crosses fingers*MIKE KENEALLY &BEER FOR DOLPHINSOCTOBER 2025 TOUR12 – Rutherford, NJ – PROGSTOCK14 – New York, NY – The Cutting Room15 – Annville, PA – Allen Theater16 – Cleveland, OH – Beachland Tavern17 – Ft. Wayne, IN – Sweetwater Performance Pavillion18 – Chicago, IL – Reggie’s(ticket links in first comment) ... See MoreSee Less
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3 days ago

Bryan Beller
NIN LOS ANGELES: I made it out to the very last show of the Nine Inch Nails Peel It Back 2025 tour at the Kia Forum in L.A., and I'm damned glad I did. They leaned hard on The Downward Spiral material, which I wasn't expecting and was stoked about. The sound was pretty freakin' good considering it was an arena and I was in the back upper deck like a good regular Joe fan. They also set up a second stage in the middle of the crowd, which was mostly synth based for inventive rearrangements of some of the classic material. It was well worth the ticket (and the arena hassle!).And it's an incredible body of work when you think about it. I talk a lot about how The Fragile influenced Scenes From The Flood, but With Teeth, The Slip, Year Zero, and the three 2010s EP's all hit me deeply as well. As for The Downward Spiral...I remember in the fall of 1994, when a woman I was dating invited me to see Nine Inch Nails with her and her friends. She was not a goth at all - if anything, she presented as the complete and total opposite. I knew about the single "Closer" with it's instantly infamous chorus lyric and that was about it. I thought, ok, sure. Imagine me walking into that 6000 capacity room and hearing NIN run through contemporary versions of most of the Downward Spiral album, plus select cuts from the two previous releases, all while throwing themselves around the stage and destroying at least one Yamaha DX-7 a night, if not more. I was one of the only people in the room who wasn't screaming every single lyric at the top of their lungs. It was sweaty uncontrolled mania in there. By the time the show ended, I was irrevocably altered. I was 23. Fast forward 31 years, and I've seen NIN live more than any other act in my life. I looked around the crowd at the Kia Forum. People say Gen X is the forgotten generation, but not in that room we weren't. Lots of 40 and 50 somethings, still dressed in concert black. Some were goth-ed out, others dressed in far more unassuming outfits. The crowd was more singing the lyrics than shouting this time around, and even Trent and the guys were no longer throwing themselves into each other and wrecking their gear. But 30 years later, the combination of Trent's angsty human exploration and his unique sonic/melodic world continues to touch me deeply, and clearly I'm not the only one. As I get back into songwriting mode for another solo album, I’m reminded that, while I have a blast writing material for The Aristocrats and I’m generally positive on Ye Olde Social Media, I can also be a bit of a brooder. Working through more complex emotional stuff in musical composition is a privilege, and it also doesn’t come for free. It takes a long time and it takes a lot out of me. At this stage of the game, the bottom of the “make an album!” mountain, I’m grateful to guys like Trent Reznor and Roger Waters who showed that it can be done, with artistic integrity, and in a way that’s accessible enough for people of all walks of life to be able to feel it and transform it into their own experiences. Now if you’ll excuse me, I need to try and remember how to play guitar again. ... See MoreSee Less
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6 days ago

Bryan Beller
TERRY SYREK'S "STORY 2" AVAILABLE NOW: If you thought "Snow, Snow" was amazing, wait until you hear the whole album. Terry Syrek's incredible second album surpasses his first and brings the epic shred (and great songwriting) in ways you have to hear to believe. I'm on six tracks this time. Each one was a special mountain to climb, and worth the journey each time. Check out Terry's album on Bandcamp (hi-res digital) or on his webstore. I'll link both in the comments. ... See MoreSee Less
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7 days ago

Bryan Beller
KENEALLY TOUR KOUNTDOWN: Less than two weeks away now until the Mike Keneally and Beer For Dolphins tour begins! Oct 12-18 will see us hit six quick shows from NY to Chicago. This lineup of MK/me/Joe Travers/Rick Musallam hasn’t been there in forever and who knows when it will happen again! Some of y’all know how amazing Keneally’s work is, but if you don’t, it has to be seen to be believed. And these will be my last travel dates in the States for a bit. All the more reason to look at the first comment for the ticket links and make a plan to check out one of these dates today! (yes I’m hyping here but it’s worth it, I assure you)MIKE KENEALLY &BEER FOR DOLPHINSOCTOBER 2025 TOUR12 – Rutherford, NJ – PROGSTOCK14 – New York, NY – The Cutting Room15 – Annville, PA – Allen Theater16 – Cleveland, OH – Beachland Tavern17 – Ft. Wayne, IN – Sweetwater Performance Pavillion18 – Chicago, IL – Reggie’s ... See MoreSee Less
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