A raw, powerful, intimate live document of the Bryan Beller Band 2010 touring lineup playing a 45-minute set at The Baked Potato in Los Angeles, plus two bonus tracks from other shows. Featuring: Rick Musallam (guitar), Griff Peters (guitar), Mike Keneally (keyboards & guitar), Bryan Beller (bass), Joe Travers (drums).


Bassist/composer and sideman extraordinaire (Dethklok, Steve Vai, Mike Keneally) Bryan Beller’s first live album, Wednesday Night Live, is a raw, in-your-face, up-close-and-personal recording of Beller’s 2010 live band at the world famous Baked Potato in Los Angeles, and a serious statement from an artist who’s quickly establishing himself as one of the elite bass playing and compositional voices in the rock/jazz fusion scene today.

It started modestly, with Beller’s band opening for longtime compatriot Mike Keneally’s band using the same five musicians (including themselves) for five shows in the Northeast. The plan was for the Keneally/Beller “They’re Both The Same Band” tour to then hit the west coast, but scheduling got sticky. “We were able to confirm one date that worked for everyone: Wednesday, September 15, 2010, at The Baked Potato,” says Beller, who turns 40 this May. “And I said, screw it, let’s record it and see what happens. This is what happened.”

The album is Beller’s 6-song, 45-minute live set from the tour, plus bonus material consisting of a performance of View from the WesFest 2 benefit concert, and a rowdy, live-to-two-track rendition of “Cave Dweller” from the Thanks In Advance record release gig.

Beller already has two critically acclaimed studio releases under his belt: 2003’s View (“A solo album so good it makes you wonder why he bothered doing anything else.” – Bill Leigh, Bass Player ) and 2008’s Thanks in Advance (“A bonafide entry for bass album of the year.” – Chris Jisi, Bass Player). With a collection of intricately composed, multi-track layered tunes in his repertoire, and a true touring band for the first time in his career, Beller saw the issue of live vs. studio arrangements as a balancing act.

“I see myself as a rock/jazz fusion artist, with the rock part coming first. And I remember going to see Pink Floyd shows and wanting to see them honor the songs and individual parts I loved so much, while at the same time digging it when they stretched out in certain spots. That’s the balance I wanted the band to strike. So you’ll hear little parts and even some solos of mine that stay close to the record version, because I consider them a part of the song to some extent, and I want to honor that. But there’s also a lot of room to push the boundaries when we want to, and having such great players and friends in the band – guys I know and trust deeply, like Rick, Griff, Joe and Mike – just makes those moments extra special.”

Though there’s plenty of intensity in the funk/fusion workouts “Greasy Wheel” and “Seven Percent Grade” (to say nothing of the emotional low-to-high rollercoaster segue of “Life Story” and “Get Things Done”), Beller’s landmark ten-minute composition “Love Terror Adrenaline/Break Through” stands out as the set’s high point. “We’re talking about a studio cut with tons of tracks and layers and overdubs, and an impossibly complex melody played by Mike Keneally, and we condensed it into a five-piece arrangement that I’m quite proud of. The band played their asses off on that. They played their asses off all night. That’s why I wanted to put this out – because I think the way they played this material really deserves to be heard.”

released April 1, 2011 

The Bryan Beller Band:

Rick Musallam – guitar (left channel)
Griff Peters – guitar (right channel)
Mike Keneally – keys (lead guitar on “Love Terror Adrenaline” only)
Bryan Beller – bass
Joe Travers – drums


Produced by Bryan Beller

Recorded by Tim Pinch on 9/15/10 at The Baked Potato in Los Angeles, CA
except “Cave Dweller” – recorded live to two-track by Dave Foster at the
Thanks in Advance CD release party on 1/22/09 at The Baked Potato in Los Angeles, CA
and “View” – recorded by Tim Pinch at the WesFest 2 benefit concert on 3/6/07
at The Gig in Los Angeles, CA

Mixed and edited by Mark Niemiec at Muggytone Studio, Nashville, TN
* except “Cave Dweller” – post-production by Dave Foster (CA) and Mark Niemiec (TN)
Mastered by Dan Shike at Tone And Volume Mastering, Nashville, TN

All songs written by Bryan Beller
© 2003 (tracks 3, 6, 7), © 2008 (tracks 1, 2, 4, 5, 8) Panorama Ataraxia Music BMI
* except “Thanks In Advance” by Bryan Beller © 2008 Panorama Ataraxia Music BMI/Mike Keneally © 2008 Spen Music BMI/Griff Peters © 2008 Pointy Peak Music BMI/Joe Travers © 2008 Traversisms Music BMI.

CD booklet design and layout by Mike Mesker

Photography by Matt Urban/Mobius New Media, Frank Teger, and Michael Mesker

** Band line up for “View” only:

Griff Peters – lead guitar
Rick Musallam – rhythm guitar
Kira Small – Rhodes
Bryan Beller – piano
Pete Griffin – bass
Joe Travers – drums

(c) 2011 Onion Boy Records, All Rights Reserved

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Bryan Beller

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2 weeks ago

Bryan Beller

G4 EXPERIENCE: G is for GOBBLE this weekend, but come early January it means Joe Satriani's The G4 Experience, featuring Steve Morse, Steve Lukather, Peter Frampton, Eric Gales, Cory Wong, Mateus Asato (I’m playing with everyone I just mentioned, along with Kenny Aronoff and Rai Thistlethwayte as house band - holy moly I’m learning a lot of material in December!) *and* also Alex Skolnick, John 5, Nili Brosh, Andy James, and more. Just a few slots left!

Here’s a wacky promo video to celebrate the occasion. Joe did this in one take backstage during intermission of the last gig (Dallas) of the North American EARTH Tour. Now that’s show business, people! *starts tap dancing*

Happy Gobble everyone.
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3 weeks ago

Bryan Beller

HEADING HOME: Sending gratitude to everyone who saw The Aristocrats or Joe Satriani live this year, from an airport lounge at DFW.

I might not dye the goatee for a little while. 😉
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3 weeks ago

Bryan Beller

GEAR APPRECIATION POST: Like the pic shows, we’ve got one last show tonight in Dallas. It’s been an amazing year and I’m grateful to play such amazing gear. Thank you to:

Mike Lull Custom Guitars & Guitarworks Basses: The power trio of the black/quilted top BBMF5, the sunburst P/J 5, and the red 1998 Modern 5 continue to slay everywhere and anywhere.

Gallien-Krueger Amplification: For the tone, punch and clarity to hit the mark on my fussy high gain monitoring requirements on stage, it’s gotta be GK All Day.

D'Addario and Co. Strings & Accessories: Since 1996, they’ve been on every bass I’ve ever used, and every time out I remember why all over again. Plus the XPND XL pedalboard just earned it’s first 100-shows stripe!

Jim Dunlop Guitar Products Pedals: My pedalboard has more and more Dunlop/MXR on it. The Volume (X), the original Bass Wah, and now two incredibly musical MXR 6-band EQ’s for two different purposes.

Xotic Guitars & Effects: The classic Bass BB Preamp and EP Booster remain absolute key elements of my signal chain for drive and level management.

And I also want to give honorable mention to:

Zon Guitars Basses: Having possession of one of the late Doug Lunn’s treasured two Zon Basses made me realize that I really wanted to try a Zon Fretless. Joe Zon made me a beautiful Legacy Elite 5 fretless that I’ve used live on the bass spotlight Satriani tune “E 104th St. NYC 1973”, and it’s the best sounding fretless I’ve ever played.

Bananas At Large: When I realized I needed a bright rocking Fender P bass with a maple fingerboard to get the classic Satriani rock bass tone on a few tracks, I knew I needed a MIM model with the hotter pickups. As with any mass production model, some are good, some are just ok, and a select few are great. The folks at Bananas At Large picked out an absolute banger, and having that strung with D’Addario Pro Steels is a whole new bright and chimey world for me. Thank you Bananas! (Of course, since I used that bass for the first three songs of the Satriani show, it ended up in a lot of pictures! But I played my Mike Lull BBMF5 for most of the show.)

I have tremendous appreciation for all of these folks. I am notoriously finicky about gear and tonal issues, and without all of this great equipment, I’d still be onstage thinking “well it sounds good but it really should sound like this other thing…” and I’d be distracted from being in the moment, which is the seed corn of a great live performance. Luckily for me, I get to play all of the gear I just described, which gives me the best possible shot at delivering something honest and true to what I’m trying to musically project. And like I said, I’m deeply grateful.

📸 Al Linkous / San Antonio
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3 weeks ago

Bryan Beller

TWO SATRIANI SHOWS LEFT: House Of Blues Houston tonight, Majestic Theater in Dallas tomorrow. My last two shows of the year after nearly 100 since July 1.

Let's sprint across the tape, Texas!

📸 Norrsken Photography and Design
Joe Satriani
Mike Lull Custom Guitars & Guitarworks
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Andor was amazing. Fave review kicker: "This rebellion is ready to kill fascists." (Sabina Graves for Gizmodo AUS). You're GD right.

Hotter take- This is what movie Ep. 9 *should* have been: A galaxy-wide rebellion. After TLJ, it was the only way forward that woulda worked.

SOON: Joe Satriani G4 Experience, featuring Steve More, Steve Lukather, Peter Frampton, Eric Gales, Cory Wong, Mateus Asato (me + Kenny + Rai = house band for all 6!) & also Alex Skolnick, John 5, Nili Brosh, Andy James & more. Wacky promo vid follows.

Happy Gobble everyone!

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