WEDNESDAY NIGHT LIVE (2011)

 


A raw, powerful, intimate live document of the Bryan Beller Band 2010 touring lineup playing a 45-minute set at The Baked Potato in Los Angeles, plus two bonus tracks from other shows. Featuring: Rick Musallam (guitar), Griff Peters (guitar), Mike Keneally (keyboards & guitar), Bryan Beller (bass), Joe Travers (drums).


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Bassist/composer and sideman extraordinaire (Dethklok, Steve Vai, Mike Keneally) Bryan Beller’s first live album, Wednesday Night Live, is a raw, in-your-face, up-close-and-personal recording of Beller’s 2010 live band at the world famous Baked Potato in Los Angeles, and a serious statement from an artist who’s quickly establishing himself as one of the elite bass playing and compositional voices in the rock/jazz fusion scene today.

It started modestly, with Beller’s band opening for longtime compatriot Mike Keneally’s band using the same five musicians (including themselves) for five shows in the Northeast. The plan was for the Keneally/Beller “They’re Both The Same Band” tour to then hit the west coast, but scheduling got sticky. “We were able to confirm one date that worked for everyone: Wednesday, September 15, 2010, at The Baked Potato,” says Beller, who turns 40 this May. “And I said, screw it, let’s record it and see what happens. This is what happened.”

The album is Beller’s 6-song, 45-minute live set from the tour, plus bonus material consisting of a performance of View from the WesFest 2 benefit concert, and a rowdy, live-to-two-track rendition of “Cave Dweller” from the Thanks In Advance record release gig.

Beller already has two critically acclaimed studio releases under his belt: 2003’s View (“A solo album so good it makes you wonder why he bothered doing anything else.” – Bill Leigh, Bass Player ) and 2008’s Thanks in Advance (“A bonafide entry for bass album of the year.” – Chris Jisi, Bass Player). With a collection of intricately composed, multi-track layered tunes in his repertoire, and a true touring band for the first time in his career, Beller saw the issue of live vs. studio arrangements as a balancing act.

“I see myself as a rock/jazz fusion artist, with the rock part coming first. And I remember going to see Pink Floyd shows and wanting to see them honor the songs and individual parts I loved so much, while at the same time digging it when they stretched out in certain spots. That’s the balance I wanted the band to strike. So you’ll hear little parts and even some solos of mine that stay close to the record version, because I consider them a part of the song to some extent, and I want to honor that. But there’s also a lot of room to push the boundaries when we want to, and having such great players and friends in the band – guys I know and trust deeply, like Rick, Griff, Joe and Mike – just makes those moments extra special.”

Though there’s plenty of intensity in the funk/fusion workouts “Greasy Wheel” and “Seven Percent Grade” (to say nothing of the emotional low-to-high rollercoaster segue of “Life Story” and “Get Things Done”), Beller’s landmark ten-minute composition “Love Terror Adrenaline/Break Through” stands out as the set’s high point. “We’re talking about a studio cut with tons of tracks and layers and overdubs, and an impossibly complex melody played by Mike Keneally, and we condensed it into a five-piece arrangement that I’m quite proud of. The band played their asses off on that. They played their asses off all night. That’s why I wanted to put this out – because I think the way they played this material really deserves to be heard.”

released April 1, 2011 

The Bryan Beller Band:

Rick Musallam – guitar (left channel)
Griff Peters – guitar (right channel)
Mike Keneally – keys (lead guitar on “Love Terror Adrenaline” only)
Bryan Beller – bass
Joe Travers – drums

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Produced by Bryan Beller

Recorded by Tim Pinch on 9/15/10 at The Baked Potato in Los Angeles, CA
except “Cave Dweller” – recorded live to two-track by Dave Foster at the
Thanks in Advance CD release party on 1/22/09 at The Baked Potato in Los Angeles, CA
and “View” – recorded by Tim Pinch at the WesFest 2 benefit concert on 3/6/07
at The Gig in Los Angeles, CA

Mixed and edited by Mark Niemiec at Muggytone Studio, Nashville, TN
* except “Cave Dweller” – post-production by Dave Foster (CA) and Mark Niemiec (TN)
Mastered by Dan Shike at Tone And Volume Mastering, Nashville, TN

All songs written by Bryan Beller
© 2003 (tracks 3, 6, 7), © 2008 (tracks 1, 2, 4, 5, 8) Panorama Ataraxia Music BMI
* except “Thanks In Advance” by Bryan Beller © 2008 Panorama Ataraxia Music BMI/Mike Keneally © 2008 Spen Music BMI/Griff Peters © 2008 Pointy Peak Music BMI/Joe Travers © 2008 Traversisms Music BMI.

CD booklet design and layout by Mike Mesker

Photography by Matt Urban/Mobius New Media, Frank Teger, and Michael Mesker

** Band line up for “View” only:

Griff Peters – lead guitar
Rick Musallam – rhythm guitar
Kira Small – Rhodes
Bryan Beller – piano
Pete Griffin – bass
Joe Travers – drums

(c) 2011 Onion Boy Records, All Rights Reserved

4 hours ago

Bryan Beller
VAI'S GUITAR ENCYCLOPEDIA, IN PICTURES: My dear friend and longtime collaborator Michael Mesker (Art Director for "Scenes From The Flood" and *many* Aristocrats albums) has outdone himself here with an intensely detailed and completely beautiful book/encyclopedia of Steve Vai's guitars, called "Wire And Wood". All the details are below. Absolutely worth checking out! ... See MoreSee Less
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24 hours ago

Bryan Beller
THE SPIRIT OF RUSANDA: If you saw The Aristocrats on tour this summer, you heard me talk about Rusanda Panfili’s beautiful guest appearance on our new album. Well, here she is, in her own heartfelt words. Rusanda and Guthrie are on tour with Hans Zimmer in the USA right now. Don’t miss it!Rusanda Panfili OfficialGuthrie Govan (Official)Hans Zimmer Live ... See MoreSee Less
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3 days ago

Bryan Beller
21-YEAR KENEALLY/BELLER TIME CAPSULE: It’s Bandcamp Friday, and not just any Bandcamp Friday. My dear friend Mike Keneally has just today released “Freaks In A Mellow Mood” (LINK IN COMMENTS), a compilation of acoustic duo performances that Mike and I performed in November 2003 as part of our series of clinics for Taylor Guitars. I just listened to the whole album and, having not heard any of this stuff for 20 years, I’m just swooning over all of the little things we did together to make Mike’s ultra-esoteric compositions work in the duo format. This was just after Mike’s acoustic album “Wooden Smoke” was released, and the rock band catalog releases preceding that were 2000’s “Dancing” and 1997’s “Sluggo!”, on top of the early classics “hat” and “Boil That Dust Speck”. But all sorts of weird little gems are on this thing - “Aye Aye Monster” from Keneally’s project The Mistakes (with Henry Kaiser, Andy West and Prairie Prince); “Love Theme From Vulture Fun”, a bizarre bit of fun that previously only appeared on the **VHS** “Soap Scum Remover”; “Bober” and “Physics” from the as-yet-unreleased 2004 album “DOG”; a Beatles cover of “And Your Bird Can Sing” and more. It also stands out as a singular moment in the already-amazing but apparently ever-increasing chemistry between Keneally and myself. The existing song arrangements themselves were already dense by nature, and required some serious boiling-down to work in the duo format. Hearing what we were able to do with them - in many cases rework, enhance, and even re-invent - fills my heart with joy. And somehow he got me to sing high harmony background vocals, actually in tune! Miracles never cease. 😉Late 2003 was a weird and difficult time for me, and not just because I had a misguided hairstyle. I had just released my first solo album “View” literally two weeks before this particular Taylor Guitars clinic tour happened. But all while I was finishing that, the bass amp company I worked for, SWR, was sold to Fender, and I was right in the middle of managing the merger and acquisition and integration for both companies. I wasn’t playing that much, and when I was it felt rushed and squeezed into a very intense work schedule. The financial security was nice but there was a slow boil going on inside me that eventually exploded two years later when I quit Fender and started over as a freelance musician. But from 2002-2005, these moments of musical joy were not nearly as frequent in my life as they are now. I owe Mike Keneally a debt of gratitude for many things, but specifically in this case for keeping the flame of my musical spirit alive during an uncertain time for my own artistry as a musician. Also, let’s say a requiem for the Taylor AB-4 Acoustic/Electric Bass that I used for all of these performances. It was one of the 6 fallen soldiers that never came home late in 2016, victims of the whole Bonnie & Clyde theft episode. I’m pretty sure this will be the last release upon which that instrument appears, so it’s a fitting sendoff. Hopefully it will come home someday. Anyway, go buy this album! ... See MoreSee Less
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5 days ago

Bryan Beller
WELL AND TRULY DUCKED: Thank you Los Angeles for a great closing show, and thank you North America for an incredible run of shows on the DUCK tour. We saw so many friends we’ve known for a while, and a ton of new folks as well. Touring is still the single best way for us to get out and spread the “Aristocratic Gospel”, as it were. And as proud as we our of our new anatine-themed album, we know that the living breathing heart of this band is the three of us playing live, onstage, where anything can happen in front of a live audience crazy enough to come out and witness the spectacle of the whole thing for themselves. That’s you, and we can’t do it without you. Thanks so much to our lean and mean management team, our North American booking agency, our incredibly hard working crew…and once again, to YOU, the fans who have stuck with us all these years, as well as the new ones we just met, who supported us so generously on this tour. Thank you again and again. Stay tuned for announcement about the next legs of the DUCK tour - coming soon!Cheers to all,The Aristocrats ... See MoreSee Less
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7 days ago

Bryan Beller
Home.(tour wrap up coming soon) ... See MoreSee Less
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